My Bloody Valentine Streaming

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Movie Title: My Bloody Valentine
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Remember those heady days in the behind 1970s and early 1980s when films like “Halloween” and “Friday the 13th” attained stellar success at the box office, resulting in a slew of holiday themed copycats? Movies like “April Fool’s Day,” “My Bloody Valentine,” and “Graduation Day” arrived on the scene and dropped off the radar unprejudiced as hastily. Thanks to the appearance of DVD players, these films are reappearing with a disturbing rapidity. Unfortunately, the movies aren’t great better than they were when they first came out. This is especially factual for Paramount’s release of the 1981 slasher film “My Bloody Valentine.” At the time, Paramount demanded a mountain of cuts from director George Mihalka in order to avoid a dreaded ‘X’ rating for graphic violence. That’s acceptable for a theatrical release, but a DVD version should reinsert all of the gory footage. Well, this release is the monotonous broken-down ‘R’ rated version, and to build matters worse Paramount technicians included nothing else with the movie: no stills, no commentaries, no slack the scenes stuff, and no trailers. Accept with the program, Paramount! The customer who will hold this movie on DVD is a genre fan; they want to look all of those gory killings you lopped off with indifference.

“My Bloody Valentine” takes station in a tiny mining town called Valentine Bluffs. We don’t really know the site of the town, but the accents of the some of the characters hint at a Canadian setting somewhere reach Quebec. Some years before a poor mining accident resulting in the deaths of several miners caused Harry Warden to snap. Warden went on a killing spree through the town on the night of the Valentine’s Day dance. Ever since then, the authorities in Valentine Bluffs banned parties on Valentine’s Day, ever mindful of Harry Warden’s threat to wreak bloody havoc on the town if they held another dance. Harry Warden, for the narrate, was one of the survivors of the mining accident, an accident caused by negligence on the share of two of the supervisors. After his murderous spree, Warden ended up in an insane asylum and the town slowly forgot his grim threats.

Now it’s the reveal (or at least 1981), and the mineworkers want to have another holiday party. The authorities, which include a neurotic mayor and a police chief who looks like Steve McQueen from a distance, are willing to go along with the thought of a celebration. Then the valentines open showing up, one of which contains a bloody human heart. The mayor and police chief initially try to support the threat hush-hush, but a few more murders persuade them to assassinate the dance. The young people in town throw a fit, deciding that they will tranquil have a party but bear it at the mine instead. You can guess what happens from this point on: bodies plunge like flies as a madman in mining gear (gas hide, helmet, dismal clothing, and pickax) works his plot through the group of bubbleheads. As the chief desperately attempts to track down the whereabouts of Harry Warden, a group of especially idiotic partygoers head down into the mine for a few yucks. The last twenty minutes of the film buy state in the darkly atmospheric mine, as the killer picks off several of the kids in the quarry. There’s a twist ending that achieves only a moderate level of interest, and then the whole thing ends.

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“My Bloody Valentine” is a major rip off of other slasher films. This movie even has its enjoy version of “Crazy Ralph” from “Friday the 13th” in the obtain of a temperamental bar owner who continually spouts stories about Harry Warden and the foolishness of throwing another party. You unprejudiced know this guy is going to collect his, and he does, but I kept wondering how he got any business. Who wants to go to a space where the proprietor keeps talking about ugly murders? The other characters drop into typical slasher movie typecasting as well: the two guys fighting over the girl, the ineffective police chief and mayor who try to ignore the warning signs until it’s too behind, and the omnipresent killer. When it comes to unique and inviting characters, “My Bloody Valentine” doesn’t offer mighty except stereotypes with abominable haircuts. Fear movie buffs should rob price of Ray Sager’s name (as first assistant director) in the credits: Sager played Montag the Glorious in H.G. Lewis’s “The Wizard of Gore.”

At first, the gore seems to promise that “My Bloody Valentine” is a step above your typical slasher film. The heart in the box is grisly, but after that initial shocker the movie steps attend into rather banal exercises in the sauce department. The heavy handed editing is to blame here, as nearly every execute that takes dwelling either happens completely off camera (the view of it!), or cuts away before the serious bloodletting starts. There are places where you can ogle what Paramount removed to accumulate that all-important ‘R’ rating, and it’s positive that this film would have been powerful better if we could have seen the fat attain of the killer’s actions. A boiled face, a hook through the head, and a body in a laundromat dryer sound titanic on paper, but the execution suffers horribly because we never gather the stout, grotesque carry out. It’s the equivalent of watching a Richard Pryor concert with all of the profanity bleeped out. I pray Paramount comes to their senses and finally releases this film, along with the first eight “Friday the 13th” movies, in uncut formats. “My Bloody Valentine,” as it stands now, falls squarely into the “rent, not hold” category: an attractive film with immense promise, but an ultimate failure due to circumstances beyond the control of the cast and crew.

I recently compiled an Amazon list of the Top 10 Slasher Films Before the 90’s. I placed MY BLOODY VALENTINE in the #7 slot. Upon watching it again, I realize that I should’ve placed it higher. Several other titles were ahead of it, including Fear Snarl, PROM NIGHT, and APRIL FOOL’S DAY. Those were all very marvelous examples of the slasher genre, but I don’t believe any of them rival MY BLOOD VALENTINE for sheer panic, excitement, and novelty.

Start with an absorbing setting. Rather than a college campus or high school, we have a bleak, blue-collar mining town. Instead of free-wheeling students or teenagers we have working class twentysomethings pushing thirty. Then add a creepy backstory: a mining accident that entombed and killed all but one of a handful of miners. That survivor, Harry Warden, had to resort to cannibalism until he was rescued, messing him up for eternity and a day. The next year, on Valentine’s Day, he returned (in pudgy miner’s garb with pick-axe) and brutally murdered the two supervisors who inadverdently caused the accident. He then slice their hearts out and sent it to the dance with a warning never to have another Valentine’s dance.

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Flash forward to the exhibit. The townspeople are contemplating the first dance in twenty years. Naturally, a series of murders open, with the victim’s hearts slit out. Scared, the police resolve to murder the dance. Undeterred, the young folk settle to have a secret party (at the mine’s cafeteria) . And that’s when the right fun begins. Some highlights: a dude’s face scalded in a astronomical pot of boiling water, and his cut-out heart being thrown in with the franks (yum), a girl getting her head impaled on a shower head (no repetition intended), and the local drunk becoming the victim of his maintain practical joke.

Of course, no film (slasher or otherwise) would be location around Valentine’s day without having a romantic supplot, and MY BLOODY VALENTINE is no exception. We’re introduced to Axel and T.J., two dilapidated friends now duking it out for the affections of Sarah (Lori Hallier, in the film’s best performance) . This triangle could’ve been more fully developed, but it was sufficient enought to maintain the audience keen. Who will regain Sarah? Axel or T.J.? And as the murders multiply (and intensify) the inquire of becomes “What does Harry Warden want? ” Is it even him? Or someone else?

Watch this flick and derive out. There’s a titanic final act area in the darkened mine, with an extended cat and mouse promenade scene between the killer and T.J. and Sarah. This last half-hour rivals anything in HALLOWEEN. Scary last scene, too.

Bottom line? Craftsmanship-wise, MY BLOODY VALENTINE is no HALLOWEEN, but in some ways, it’s scarier.
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